I hope you don't mind me writing to you like this but I would like to raise with you a problem with your Amazon Prime free next day delivery service. I spend most of Saturday washing-up, vacuuming, making cups of tea and trying to persuade my Good Lady Wife why it was necessary for me to buy a new camera. I had to explain the complexities of bridge cameras, zoom range, and pixel formats to a non-photographer. I also had to clarify why none of the dozen or so cameras I already own would be able to fulfil the complex requirements of capturing the likeness of both garden sparrows and dead pubs. After what I must say was a master-class in logical persuasion, towards the end of the day I managed to achieve my goal and the "buy now" button could be pressed.
It was only a matter of hours later that there was a knock at the door which I dutifully answered. Returning to the marital bed-chamber (it was hardly past day-break) the GLW asked who it had been. I explained that it was nothing but the delivery of my new camera (20.1 megapixels, 63x optical zoom - please note all you camera-heads out there). "What, already" she pronounced in a voice laden with accusation, a voice that implied that the offending article (Super HAD CCD sensor, X Type lithium-ion battery - please note all you digi-freaks out there) had been procured long before budgetary approval had been obtained. "They are very efficient", I pleaded in my defence. "They must be", she replied, sarcasm dripping from every word.
All I ask is for the addition of a little check-box that can be ticked in order to slightly delay delivery in order to make things more believable and restore marital harmony.
With Kind Regards,
I remember reading a science fiction story, fifty or so years ago which predicted a future world where drones delivered products at the demand of customers. A man took delivery of a parcel he had not ordered nor knew anything about. He thought and thought about the parcel which he left unopened until he could discover what on earth it was. He thought about a lot that day, but by the next he had forgotten about the delivered box that had been left unopened on his table. He then realised that he urgently needed a new part for his jet-car (this was the 1960s after all), so he phoned the delivery service up and put in his order. "When do you need it by?", came the annoying computer generated voice. "Bloody yesterday", he barked back in anger. And then realisation suddenly descended upon him.
Try as I might I can't remember the name of the story nor its author. No doubt some sic-fi fan out there will e-mail me the details. I must check yesterday's inbox to see if they have.
We have just returned from Prague: a city full of narrow streets and swarms of tourists. As we struggled to catch a site of the Astronomical Clock or the Powder Gate we had, at times, to dodge swerving Segways, sidestep umbrella-toting tour guides, and duck under swooping selfie-sticks. It is all part of the modern tourist lifestyle, but as you navigate your way through a corridor of raised iPhones all capturing a beaming face in front of an unmistakable icon, you begin to wonder about the nature of modern photography.
It is this obsession with the self (the very name of the selfie-stick betrays its motive) and the moment (images last until a phone is changed or a memory-stick purged) that makes old fools like myself shake our heads as we screw another interchangeable lens into our bulky SLRs and readjust our tripods. As we recompose the towers of St Vitus's Cathedral on our fresnel screens we despair at those who want to do nothing but superimpose their grinning, v-sign wielding, images on any bit of history that may be handy. And we decide that when we get home to our trusty desks and our dusty darkrooms we will compose a grumpy post decrying the worship of "me" and "now".
And then we get home and whilst we are seeking the right words to convey our righteous indignation we flick through some old photograph albums from the days of our parents, the halcyon days of photography. And what do we find but picture after picture (what people of their generation called "snaps") of faces stuck in front of Blackpool Tower or Buckingham Palace. Pictures of me, pictures of now. And, with the hindsight of seventy years, it is the me and the now that infuses the photograph with interest. Blackpool Tower is still there, even the famous Blackpool trams are still there. But Miriam is gone as is that moment from July 1951. And this image, this selfie, is all that we have left.
So I have abandoned my plan to write an angry old man blog-post and I have decided to order a selfie-stick instead. As soon as it arrives I will share a bit of me and now.
I am back from Wales, but I have a busy couple of weeks ahead of me and therefore I have no idea if I will get time to update this blog very often. We have a friend staying with us for the rest of this week and then on Sunday we fly off to Prague in the Czech Republic for most of next week. My reputation as a collector of pointless ephemera must be spreading for yesterday I was presented with a bag full of ancient books. I have a track record for never throwing a book away and therefore the arrival of several dusty volumes in the Odhams Home Library series sent the GLW into a cycle of despair. Assuring her that my new acquisitions would be a priceless addition to our lives I was immediately able to turn to a volume entitled "The Home Entertainer" which was published in the 1930s. Here was an entire book devoted to the question of how to entertain house guests - what could be more appropriate with our guest arriving by tomorrow's slow train from London.
The book contains a chapter on games that can be played in the home for the entertainment of house guests. The following quote relates to a game entitled "The Mummy"
"There can be a great deal of fun in playing The Mummy, if it is well prepared. Every one is sent out of the room except the leader and one other. This one lies flat on the floor and the leader covers him with a sheet. His hands are stretched beyond his head, and on them he holds his shoes, uprights as though they were on his feet. These shoes must just protrude from the end of the sheet. With a little adjustment, and maybe the help of a cushion, the leader will be able to make the "mummy" look as though he is lying the other way round, and as though the shoes really contain his feet and his head is where his feet actually are. A "mummy" arranged in a suitably convincing manner is shown in Fig. 6
The leader then calls in the first victim, explaining in an awed voice that here is a mummy who is said to be able to answer any question addressed to it with proper respect. So the new-comer kneels down by the mummy, by what he supposes to be the head and proceeds to ask his question, say "Oh mummy can you hear me?"
"Surely!" replies the mummy - the voice, to the astonishment of the kneeling person, coming from near what he had assumed to be the feet. If the mummy, at the same time, sits up, from the "wrong end", the surprise is even more complete."
You must admit it sounds like a first class wheeze although I am not convinced that either the physical or psychological systems of a small house party with an average age well over 60 could take the stress of all that bending and surprising. Perhaps we will just play with The Lads X-Box instead.
My summer paper trail has led me into some strange places - indeed I must confess that I have no idea where I am today. Using random images as prompts for blog posts has always been one of my favourite games - and the generator for the random images has usually been odd old family photographs and vintage picture postcards. The other day, however, I bought on eBay a job lot of old photographs with no common theme nor known origin. They were sold by weight rather than quality and the lot seems to be made up of everything from late twentieth century colour photographs to old black and white prints of the 1920s and 30s. It is the fact that I don't know who took the pictures, when they were taken or indeed where they were taken which makes sorting through this box of old images quite fascinating.
The picture above is a scan of a tiny one by one and a half inch bromide print which seems to have been taken in the 1940s. It certainly isn't England, but I do get a feel that it might be continental Europe. The building looks like a railway station and it is just possible to make out signs for what looks like "Restor Martin" and "Jubile Cigarillos". Jubile was, I believe, a French manufacturer of tobacco products so that can be my starting point for my on-line search. Whatever the outcome may be, it will keep me out of mischief for an hour or two.
I have had my Apple Watch for a couple of months now and I have to say that I am quite satisfied with it. For me - and for my deaf ears - its most important function is to alert me - with a playful nudge - when my phone rings, but it also has a full repertoire of songs, dances, jokes and other associated apps as you would expect from any Apple product. But there is one shortcoming which I hope will be corrected when the new WatchOS2 operating system is released later this year: it can't tell decimal time!
I have been a ardent believer in decimal (or metric) time for many years and I wrote a blogpost about it back in December 2008 ("It's 4.3170 In The Morning"). Since then I have changed my desktop computer to a Mac and had no difficulty in getting a metric clock app for it, fallen in love with the iPhone, and had no difficulty in getting a metric clock app for it, but getting such an app for the most obvious platforms of the all - the Apple Watch - appears impossible (I did find one which half promised it but merely told my the date based on the French Revolutionary calendar.
Now I can hear you all asking (even though it is only 45.26 centidays), what possible use is a clock that 99.999999% of humanity doesn't recognise (nay, haven't even heard of)? Surely being a follower of a time system that divides a day into 100 equal parts (centidays) each of which is composed of ten decimal minutes, each of which is made up of 100 decimal seconds, will result in you being out of step (indeed, out of time) with everyone else? Indeed it will, I answer, but so what! For years now I have increasingly come to the conclusion that I am a little different (OK, I will accept a little strange) so why not make a virtue of it and inhabit my own little time zone where I go to bed at 05.452 and crawl out of bed at 36.742. But in order to meet that latter target I need to be able to count on my Apple Watch to wake me up at the right time; and to do that it needs to be able to think decimally. Surely for a piece of kit which can tell me the temperature in Vancouver and the fact that I have just lost The Lad's inheritance on the Chinese Stock Exchange, it is not asking for too much. So, come on Apple, get up to date.
There is a name for people like me: or so it would appear if eBay is to be believed. It is obviously a slack Sunday morning for the on-line auction site so it sent me a focused email pointing out some upcoming bargains in areas I have been active in - and those areas are as a "collector of ephemera". This obviously sent me straight to the Dictionary to double-check the exact meaning of "ephemera" ("a thing that exists or is used for only a short time"), and reassured that it was nothing too embarrassing, I decided to embrace the description and even considered incorporating it into my name - Alan Ephemera Burnett has a superior ring to it. I shall ignore for the moment (although I might later return to this on some slack Sunday morning in the future) the fact that the bits of old paper and pasteboard I hoard and collect are remarkable for their longevity rather than their transcendental nature and focus on a my bit of Sunday morning ephemera - the receipt for the deposit paid by my father for the house he bought in 1939. It has sat in an envelope for 75 years - until I took it out and scanned it this morning - slowly gathering creases, dog-ears and history. It has soaked up a patina of economic and social significance and achieved a kind of strange beauty that Frank Shepherd would never have believed back in 1939.
I can go anywhere in my paper aeroplane. Give me an old bit of paper - be it a photograph, a postcard, a banknote, a share certificate, or the wrapper of an old tin of beans - and it has the power to transport me through time and distance with the efficiency of a TARDIS : and at a fraction of the cost. With an old bit of paper and a half-decent scanner you can find stories, mysteries, tragedies, and endless beauty. It is more than appropriate, therefore, for this paean to paper to highlight an old share certificate for the West Virginia Pulp and Paper Company.
As you can see the share certificate was issued to the Altoona Hospital in Pennsylvania and the journey it went on to get from their corporate safe to my paper-loving hands must wait for another day (and until the statute of limitations has been exceeded). Today I just want to focus on the share certificate as art and note, in passing, that whilst curvaceous blonds sitting astride globes are common stock for the common stock of many a corporate giant, a pulp and paper company demands something more rugged and masculine. However, I feel it important to warn my readers not to try lifting tree trunks dressed like this at home - you might find that you get a nasty spell in your shoulder.
To the best of my knowledge my grandmother, Kate Beanland, never went to Ostend; and I can pronounce with an even greater degree of certainty that she never stayed at the Hotel Ostend in Atlantic City. It would therefore be a perfectly reasonable question to ask why, given that the prompt for Sepia Saturday 290 features the said hotel in all its wooden glory, am I sharing a Victorian portrait of my mothers' mother. The answer is that the rules of Sepia Saturday allow the most relaxed interpretation of what passes for a weekly theme (I know they do because I made them up) and this week I am going to embrace thematic relaxation in the company of a lady I can only just remember.
Catherine "Kate" Kellam was born in the village of Morcott in Rutland in 1877, the second daughter of a strangely itinerant grocer, Albert Kellam. The family moved to South Wales where her father died when Kate was just 13 and later to Middlesborough in the North East of England. By means that are uncertain in fact and clouded in family rumour, she ended up working as a barmaid in Keighley at the turn of the century and it was there, in the best Beanland traditions, that she met my grandfather (yet another of those endless Alberts).
She lived the rest of her life in Keighley and Bradford and died in 1960 when I was twelve. I remember going to see her (she lived with my mothers' sister Amy and her husband) and recall a little old lady with false teeth and spectacles who smelt vaguely of camphor balls. The image is a hundred miles from the rather pretty young woman in my main photograph and a thousand miles away from the exotic sophistication of the Hotel Ostend in Atlantic City.
But it doesn't take much effort to start constructing connections. Where did Albert Beanland meet is wife to be other than in the King's Head Hotel in Keighley: so that means we have a hotel connection straight away. The hotel might not have been in America, but take a look at the studio where Kate's portrait was taken and you have the grandly named "American Art Studio" of Mr J Lister.
But it is the design of the reverse of the studio portrait and the advert for the Hotel Ostend that is my favourite connection - that harmony of design, typography and line drawing that is such a feature of the period - whichever side of the Atlantic Ocean you happened to be on.
Kate Beanland may not have been to Atlantic City in her lifetime, but - in my mind - she is accompanying me there now. Her camphor balls and wire spectacles have been left behind and she is as beautiful as she was when she was 23. We walk along the boardwalk, tasting the salty spray of the Atlantic waves. People speak in strange and exotic accents and we are thousands of miles from the woollen mills of Yorkshire. We sit for a second, leaning against two lamp-posts on the sea wall and look back at the Hotel Ostend and think, "what a strange world this Sepia Saturday allows us to inhabit".
If you would like to investigate even more of the strange world of Sepia Saturday then go along to the Sepia Saturday Blog and follow the links.